To Hold or Not to Hold
Shutter Priority
1/125
1/60
1/30
1/15
1/8
1/4
1/2
1/2 With Movement
How Deep
Set One
1:24mm
 |
| F4 |
 |
| F8 |
 |
| F11 |
 |
| F16 |
 |
| F22 |
At 35mm and higher zoom on my focal lens, the F-stop started above the F 4
Set Two
1:50mm
 |
| F5.6 |
 |
| F8 |
 |
| F11 |
 |
| F16 |
 |
| F22 |
Set 3
1:66
 |
| F 5.56 |
 |
| F8 |
 |
| F11 |
 |
| F16 |
 |
| F22 Equivalent Exposure Every first picture in all the sets was taken in P-Mode at f8 1/60 exposure. |
Set One
1:50mm
 |
| P-Mode F8 1/60 |
 |
| F22 1/8 |
 |
| F5.6 1/125 |
 |
| F11 1/30 |
Set Two
1:75mm
Set 3
You Know Better
Add caption 
1/15 F11; ISO200; 1:50mm 
1/20 F11; ISO 400; 1:100mm 
1/125 F11; ISO 400; 1:70mm
The objective of aesthetic control has been well executed. In the “to Hold or Not to Hold” section, the motion image at 1/2 shutter speed is “pretty” cool. It is almost like a time travel. The trails also indicate possible direction of the motion. The temperature of light photos are also nicely done. In the “How Deep” portion of the assignment, the display of fore/middle/, and back/ground are really nicely done. Several of the photographs presented a curious depth of field and even presented somewhat of an experience of pareidolia. The Equivalent Exposure images in the manual mode achieved the desired initial P-mode exposure. The overexposure and the other temperature of light photos are very artistic. The cool blue tone one is better than the other two images, however, would have been better if the composition was different each time. Overall, the composition has improved, however it could still use some more work and focus on creating various other arrangements. No one likes seeing same image over and over.
ReplyDelete