To Hold or NOT To Hold
1/125
lens: 18mm
1/125
lens: 18mm
1/15
lens: 18mm
1/15
lens: 18mm
1/2
lens: 18mm
1/2
lens: 18mm
1/125 Lens: 50mm
1/125 Lens: 50mm
1/15 Lens: 50mm
1/15 Lens: 50mm
1/2 Lens: 50mm
1/2 Lens: 50mm
How Deep
AV= 4,5.6, 8,11,16,22
Lens: 24mm
SET1-
AV= 5.6,8,11,16,22,32
Lens: 50mm
SET1-
Exposure
Program
Manual
Manual
Manual
Program
Manual
Manual
Manual
Program
Manual
Manual
Manual
You Know Better
While being a fly on the wall, I got to hear my peers review my work and they enjoyed my composition on some of my images as well as my use in the shadows. They talked about some being out of focus, and some others that were out of focus they seemed to enjoy the way the camera expressed the composition I wanted to make the blur look intriguing to the eye and I achieved that at some points. While viewing The how deep the AV images gave out an environmental image that I was not expecting but then saw it as they talked about the resemblance, for example they said it looked like there was a path to walk on of it was like a nature document camera shot. As for some things to work on they didn't notice the AV change in how deep on some images and maybe that's from my composition and lighting. Some images have too much light exposure and I was missing notes on a few of my images. Also on my exposure part they noticed how my images would dramatically jump with the lighting and so I know I need to play with my manual settings and and make the images match to look correct. I am taking their comments and going to create focused and story enduring images to my blogs and create a more concentrated emotion.
ReplyDelete